Marion Fox (b.
Aldershot, Hampshire, 21 August 1885; d. reg. Richmond
upon Thames, Oct.-Dec. 1973)
Between 1910 and 1928, Marion Fox published eight books,
comprising seven novels and one collection of poetry. After 1928 she virtually disappeared from the
literary record. Though her novels were
fairly well-reviewed upon publication, they are all very rare today, and it is
only with the 2006 reprint of Ape’s Face
that any of her work has become readily available for re-assessment.
Marion Inez
Douglas Fox came from a distinguished family. Her parents were the army officer
Malcolm Fox (1843-1918) and his second wife, Marion Jane Mills (1863-1957).
Malcolm Fox’s first wife had died in childbirth in July 1882 after less than
one year of marriage. He married again
on 23 July 1884, this time to a young heiress from Tolmers, Hertford. Their
only child, named Marion
after her mother, was born the following year.
Malcolm Fox
had been educated at Rossall School and Brighton
College before joining
the army. He served with the 100th Royal
Canadians from 1863-1875, becoming Lieutenant in 1865 and Captain in 1871. For
some time he served in Malta.
He had always been especially interested in physical conditioning, sports, and
boxing, and he organized many competitions for the whole garrison. Later he transferred to the 42nd Royal
Highlanders (Black Watch) and was sent to Egypt, where in 1882 he was
severely wounded at Tell al-Kebir. (He
was given the medal and clasp, Khedive’s star.) While in England on sick leave in 1883 he was appointed
Assistant Inspector of the Army Gymnasia at Aldershot.
He was soon promoted to Major, and, in 1888, to Lieutenant-Colonel. In 1889 he was appointed Inspector of the
Gymnasia, and (with the aid of his wife’s money) he expanded the army athletic
grounds and Gymnasia in 1894. As he had
previously done in Malta,
he organized many competitions. He
retired in 1900 as a Colonel, but ended his career, from 1903-1910, as
Inspector of Physical Training to the Board of Education. In 1908 he designed
the pattern sword, used by the British cavalry in the First World War. He was
knighted in 1910, and died in 1918, after a series of strokes.
His
daughter Marion grew up in this military environment. She published her first
book in early 1910, The Seven Nights: A
Journey. It is a historical novel,
and it concerns the Peasant’s Revolt of 1381, during the reign of Richard
II. The publication was likely
subsidized by her family, for the publisher Elliot Stock was known for such
business practices. But it also seems to have brought her work to the attention
of the publisher John Lane
(1854-1925), whose firm distributed Elliot Stock’s titles to the book
trade. Fox’s second novel, The Hand of the North, though dated
1911, was published by John Lane
in October 1910. It is another historical novel, set in early 1601, concerning
Queen Elizabeth and her last favorite, the Earl of Essex, who attempted to lead
an uprising against the queen, an act for which he was beheaded. Fox’s third
book, a small collection of poems entitled The
Lost Vocation, was published simultaneously in hardcover and paperback by
David Nutt in late December 1911. Many of the twenty poems have supernatural
content, a hint, perhaps, of things to come.
Fox’s five
remaining novels were all published by John Lane. She probably made little if
any money off them, for Lane was hesitant when it came to paying his authors.
And it seems likely that Fox wrote her novels with little thought of financial
reward—similarly, she is not known to have pursued money by writing for
periodicals. Her next book was The
Bountiful Hour, published in September 1912. It is yet another historical
romance, set this time in the eighteenth century, giving a personal narrative
of a young girl from the age of six until her marriage.
In July
1914, Marion Fox married Stephen Burman Ward (c.1887-1964). Fox’s fourth novel,
Ape’s Face, followed her marriage by
a few months, appearing in September. With this novel Fox moved decisively into
the supernatural, and here her particularly special theme of the intrusive
effect of the past upon the present comes to the fore. Set in the lonely country of the Wiltshire
downs, a well-known writer and antiquary has come to the Delane-Morton
household to examine some ancestral documents. The writer finds a haunting
Presence over the downs that seeks to bring about a periodic reenactment of a
centuries-old curse. The novel is not entirely successful, but it has
considerable merit. Fox’s characters
come to life only reluctantly, while her descriptions of the natural formations
of the region, and the menacing Presence embodied therein, create a kind of
haunted landscape that is in itself the most powerful character of the book.
Fox’s next
novel, The Mystery Keepers, appeared
in early 1919, though it was apparently written in 1910 (for the dedication is
so dated). Like Ape’s Face it deals
with the periodic reenactment of a curse, here the curse having been placed on
a family by a long dead abbess so that every direct male heir will die
punctually on his twenty-first birthday. The main character is a psychic
detective, and there are some effective descriptions of poltergeist activity in
the Abbey. The Saturday Review for 3
May 1919 said of the book: “We have nothing but praise for the general
conception and execution of this book.
It is full of sensitive writing and delicate description; its bores are
life-like—too much so indeed. It falls
little short of being a masterpiece.”
The Luck of the Town, published
in May 1922, provides another example of Fox’s obsession with the intrusion of
the past upon the present. This story
tells of a newly founded university in an industrial town that is built upon
the site of a Roman encampment. Through
the unearthing of a skeleton and an inscribed tablet, a haunting influence from
the past is revived, affecting the faculty and staff of the university.
Fox’s final
book, Aunt Isabel’s Lover, was
published in January 1928. The Times
Literary Supplement of 9 February 1928 described the book as follows: “The crisis of the story is when Dion
Arnicott does not turn up at the church to be wedded to Aunt Isabel. That and
his queer behaviour when he called on Mrs. Flemington are about the only concrete
things about Dion Arnicott. His valet was most of his substance. For the rest
he was spirit—with a not unconnected body dying in Italy. But nothing is known until
the valet dies in a weird struggle in Aunt Isabel’s house, and tells a long
story . . . It does decidedly touch the
imagination, as well as please the romantic sense. It is a slighter book than Miss Fox’s
previous ones—Ape’s Face and The Mystery Keepers, etc.—but not
unworthy of them.”
For while,
in the 1930s, Fox resided in Paris. In the mid-1950s she was working on a biography
of Jean Ingelow, but it was never published. Marion Fox died at the age of 88
in Richmond upon Thames
in late 1973.
Fox and her
husband had two children, a daughter Persephone Marion Ward (1916-2011) and a
son Stephen George Peregrine Ward (1917-2008).
The daughter, as “Marion Ward”, published two books, The Du Barry Inheritance (1967), a
biography of Jeanne Bécu, Comtesse Du Barry (1743-1793), a mistress of Louis XV
of France; and Forth (1982), a life of Nathaniel Parker Forth (1744-1809), a British diplomat in France.
Marion Ward was on the staff of The Historical Manuscripts Commission (which in
2003 merged with the Public Record Office to form The National Archives). Writing as “S.G.P. Ward”, the son’s books
include Wellington’s Headquarters: A Study of the
Administrative Problems in the Peninsula, 1809-1914 (1957); Wellington (1963);
and Faithful: the Story of the Durham Light Infantry
(1963). More recently he wrote the entry on his maternal grandfather for The Oxford Dictionary of National Biography
(2004).
Among Fox’s
other relatives, there were a few more writers.
In 1888 her mother’s sister, Florence Sophia Mills (1865-1932), had
married Reginald Cholmondeley (1857-1941), a brother of novelist Mary
Cholmondeley (1859-1925). Fox’s novel The Mystery Keepers is dedicated “To
Uncle Regie and Aunt Florie.” Reginald
and Mary’s younger sister Caroline Essex Cholmondeley (1861-1934) was the
mother of the novelist and travel writer Stella Benson (1892-1933).
NB: An
earlier version of this entry appeared in my column “Notes on Lost and
Forgotten Writers”, All Hallows no.
43 (Summer 2007).
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