Monday, April 6, 2020

Notes: Arnold Federbush

Houghton Mifflin, 1973
Arnold Federbush published two novels, The Man Who Lived in Inner Space (Houghton Mifflin, 1973) and Ice! (Bantam, 1978). The Man Who Lived in Inner Space concerns a man crippled by an explosion at a chemical factory who becomes an ocean dweller after learning to breathe in the ocean depths. This brings him to meditations on consciousness and the interconnectedness of everything. Ice! describes a rapidly returning Ice Age that descends upon New York City, presaging in a number of ways the disaster film The Day After Tomorrow (2004).

Federbush was born in New York City on 16 March 1935, the son of Isadore Federbush (the manager of a manufacturer of ladies underwear, according to the 1940 US Census), and his wife Sarah, both emigrees from Russia. Arnold had two older sisters. He received a B.A. from Washington Square College of New York University, and an M.A. in Theater Arts from UCLA, where he made a student film called 111th Street (1963). He worked as a film writer and film editor (e.g., on the TV movie I'm a Fool (1977) starring Ron Howard). He wrote a screenplay adaptation of the 1965 autobiographical novel Manchild in the Promised Land by Claude Brown, but it was never produced, the same fate met by his screenplay for his own novel The Man Who Lived in Inner Space
Bantam, Mass market original

Federbush died of cancer in Los Angeles on 4 September 1993. A third novel, reportedly on spontaneous human combustion, was left unfinished.

Sunday, April 5, 2020

A New Type of LKW Entry Format

So far I've posted nearly 150 entries on this Lesser-Know Writers blog, all using a particular encyclopedia-styled format. Meanwhile, two of my desks (I regularly use five) have become hugely overstacked with (among other things) papers and books for planned entries that I haven't yet written up. The reasons for not writing these entries up vary, but often it has something to do with some information lacking that is vital to keeping up with the overall format--it could be the smallest fact, or date, or something larger. In order to share this research, I've decided to add a second alternative format in which I will post entries on this blog. I am not abandoning the main encyclopedia-styled format, but a looser less-complete format is necessary in order to share the information I have. To date I have used the author's main byline as the title to a post on that person. I will continue to do this for entries in the encyclopedic format. The newer looser-styled entries will still contain the author's byline in the title, but the title will also include at the start the word "Notes" followed by a colon and the usual byline of the subject.

As always, comments are welcome, as is additional information from readers. Occasionally I have been asked where I got certain facts on some lesser-known figure. Most of the vital statistics about people's lives come from various genealogical databases (some subscription), and there really isn't a good or useful way to cite such things, so I've not bothered. However, if I've used some printed source, however uncommon, I usually make mention of it. For many of these LKW there are no printed sources (save maybe book reviews) because no one has written about them before.

Monday, November 11, 2019

Elsa-Brita Titchenell

Elsa-Brita Titchenell (b. Uppsala, Sweden, 31 May 1915; d. Altadena, California, 10 February 2002)

1950 edition
Elsa-Brita Bergqvist was the daughter of Carl Wilhelm and Fanny (Hagelin) Bergqvist. She was educated in Stockholm, Shanghai, and England. From 1937-47 she worked on the staff of the Royal Swedish Legation and Consulate General in Shanghai.  During World War II she worked to ameliorate conditions for Allied prisoners.

In 1939 she joined the Theosophical Society, and in the early 1940s she contributed a series of "Broadcasts from Shanghai" to The Theosophical Forum. In 1948 she immigrated to California to serve at the International Headquarters of the Theosophical Society. She married Leslie Trippit Titchenell (1914-1978) in Los Angeles, on 22 September 1949. She worked for eight years on the administrative staff of the California Institute of Technology, retiring in 1980.

1981 reissue
Titchenell wrote many articles and book reviews for Sunrise (for which she also served as a contributing editor, and later, from 1989 until her death, as Associate Editor). She published two books. Her first was Once Around the Sun (1950; reissued 1981), a children's fantasy about Peter, a seven year old boy, who is shown the universe by the tiny Uncle Peppercorn, who allows Peter to have a Big Year, during which he is able to communicate with beings of the natural world and learn from them. The book is illustrated by Justin C. Gruelle (1889-1978), a well-known artist (who worked at the Disney Studios for a time in the 1940s-50s) and younger brother of Johnny Gruelle (1880-1938), an artist best-known as the creator of Raggedy Anne and Raggedy Andy dolls. Some of the illustrations in Once Round the Sun were colored in the 1981 reissue by Elizabeth A. Russell.

Titchenell's second book was The Masks of Odin: Wisdom of the Ancient Norse (1985). Based on a series of articles published in Sunrise in 1954-55, it is one of the few instances in which a scholarly approach is applied to the Old Norse myths as a living religion.  Over half the book is comprised of Titchenell's new translations of the principal poems of The Elder Edda.

Thursday, October 3, 2019

Alice Maude Peel

Alice Maude Peel (b. reg. Burghwallis, Doncaster, Yorkshire, July-Sep. 1861; d. Devon, 7 June 1950)

Alice Maude Peel was the fifth of eleven children of Francis William Peel (1823-1895), the Rector of Burghwallis (from 1856-1895), Vicar of Skelbroke (1875-1884) and Proctor Archdeacon of York (1886-1895), and first his wife, Ann Maria Wethered (1831-1869), who were married on 27 July 1852. In 1870 her father was married again to Emily Walker. She had six sisters and one brother, and one half-sister and two half-brothers.

In Doncaster, on 22 October 1886, Alice married  John Peyto Charles Shrubb (1862-1918).  They had one daughter.

Alice Maude Peel published one book, a slim card-covered collection of  fourteen weird stories and sketches, "Something Just Na'e Canny" (Leeds: M'Corquodale & Co., 1883). It was self-published by the author in order to raise money for the restoration of St. Helen's Church in Berghwallis.  One story, "Two Fiery Eyes," is a vampire tale. Very few copies of this book are known.

Thursday, September 26, 2019

David Jarrett

David Jarrett (b. Llantarnam, Monmouth, 1 March 1943; d. Porlock, Somerset, 26 August 2010)

David William Jarrett was the son of Mervyn Spencer Jarrett (1906-1986), a works engineer, and  his wife Olive Elizabeth Jenkins (1907-1997), who were married in the summer of 1940.  He had one older brother.

David grew up in Llantarnam, but was educated from 1953 at the Cathedral School in Wells.  He matriculated at Jesus College, Oxford, in October 1961 (B.A. 1964; M.A. 1969; B.Litt. 1968; and D.Phil. 1977).*

He began a long academic career in 1977 at King Alfred's College, Winchester, and in 1980 moved on to teach at the North London Polytechnic. Afterwards he taught in Poland, Saudi Arabia, and France. He settled in Porlock on his retirement.

His first book was The English Landscape Garden (1978), which was followed in 1979 by a short novel (discussed below), and then by an interesting booklet, The Gothic Form in Fiction and Its Relation to History (1980), on Gothic novels from Horace Walpole on to Faulkner, Kafka, and Iris Murdoch.

His other books include Geometry, Winding Paths, and the Mansions of Spirit: Aesthetics of Gardening in the Seventeenth and Eighteenth Centuries (1997) by David Jarrett, Tadeusz Rachwał, and Tadeusz Sławek;  and with the same two co-authors he co-edited The Most Sublime Act: Essays on the Sublime (1996), and Writing Places and Mapping Words: Readings in British Cultural Studies (1996). A final book was Packing and Unpacking Culture: Changing Models of British Studies (2001), edited and with an introduction by David Jarrett, Tomasz Kowalewski, Geoff Ridden. 

Sphere, 1979
Jarrett's novel was Witherwing (London: Sphere, 1979: New York: Warner, 1979). It begins as a kind of heroic fantasy novel in which Witherwing, the youngest of six princes of Tum-Barlum (the name clearly modeled on Twm Barlwm, the name of a hill in south Wales, but that has no significance to the story). Owing to the botched end-result of some long-ago spell cast by his stepmother, the Queen of Dread, Witherwing has a swan wing instead of a left arm (this plot point echoes The Seventh Swan by Nicholas Stuart Gray, published in 1962). This short novel traces Witherwing's quest of self discovery while searching for some mysterious glowing stones used by his step-mother to perform magic. With this beginning, the book sounds almost commonplace, but it is not. Jarrett seems to be setting up a standard story of sword-and-sorcery only to undermine it.  Witherwing is aided on his quest by strange and ineffectual companions, like the mute albino boy called Hutt, and the unadventurous bald wizard Kryll who burns his books for warmth ("Literature breeds distress. Thirst for learning is thirst for power, and power is death" p. 44). The tone alternates between some wild imagery and some often amusing snarkiness. But there are also long stretches of prose that are simply uninteresting. The denouement turns the book into trite science fiction, for Witherwing meets his long-lost step-mother only to find that she is one of a bunch of magisters who for ages have played games with Witherwing's world. Some of the magisters (like Kryll the wizard, or Hrasp the marauder and murderer) enter the world to play the game. The Queen of Dread did so too, and became entirely bored in the process. Witherwing, learning this, grows angry:  "But this makes a mockery of life!" (p. 126). It does, and snark only works for so long as a literary methodology. So far as I know, Jarrett never published any further fiction.  

The US edition of Witherwing features cover art by Frank Frazetta.  Readers of the time lured in by Frazetta's cover were led to expect standard genre fair, and were doubtless disappointed. 
Warner, 1979. Art by Frank Frazetta.
Thanks to Dr. Robin Darwall-Smith, Archivist of Jesus College, Oxford, for details of David Jarrett's academic career.

Monday, September 23, 2019

Robert Clay

Robert Clay (b. Killiney, Ireland, 19 September 1884; d. Lautoka, Fiji, 21 July 1965)

Details of Robert Clay's genealogy and life are not easy to discern, but he was born Robert Henry Keating Clay, the son of Robert Keating Clay (1835-1904), a Dublin solicitor (in turn the son of another Dublin solicitor, William Keating Clay, who died in 1894), and his wife, Florence Elizabeth Casey (d. 1897; her middle name appears in some records as Bessy or Bridget), who were married in Monkstown in south Dublin on 29 July 1862. Robert Clay was probably the youngest child of the marriage (he had six older sisters and one older brother). The recipient at probate of his father's estate on his death in 1904 was Robert's (eldest?) sister Dorothy May (Clay) Gordon; she was married to John Gordon (1849-1922), an Irish lawyer and politician who was the Member of Parliament for South Londonderry (a Parliamentary constituency that was abolished in 1922) from 1900-1916.

Little is certain about Robert Clay's education and life, but in censuses and in various government documents he listed himself as a lawyer or a writer.  By 1911 he was married to Alice Louise Clay (whose occupation was sometimes given as physician), and living in Dublin.  He and Alice apparently did not have any children, and Alice, who was very close in age to Robert, may have lived into the 1950s.

Robert served in the Royal Army Service Corps in World War I. After the war, he and his wife were based for a short time in Stroud, Gloucestershire, though they traveled to New York and to western Canada.  By the early-1920s they had settled in West Vancouver, British Columbia, and later in Sooke, on the southern tip of Vancouver Island, where Robert and Alice were known to be living as late as in 1949.  The next reference point for Robert is his death in Fiji in 1965.

Robert Clay's writing career seems confined to the 1920s. As a byline he seems always to have used "Robert Clay," but in personal life he and his wife often used the surname "Keating-Clay."  His first known story. "The Man Who Hated Worms," appeared in The Black Mask for April 1, 1923. Three other short stories are known:  "The Voice and Simon Eld" appeared in Young's Realistic Stories Magazine, September 1923; "The House without a Mirror" in Hutchinson's Magazine, June 1924; and "Ordeal" in Hutchinson's Adventure-Story Magazine, January 1927.

His first novel, A Chequer-Board, was serialized in seven parts in Blackwood's Magazine from November 1925 through May 1926. It is a romance of pirates, in the manner of Rafael Sabatini.  It appeared in book-form from William Blackwood and Sons (Edinburgh) in November 1926; with a US edition from J.B. Lippincott in 1927. An undated reprint by A.L. Burt, retitled The Romance of a Pirate, probably came out in 1928.
The Lippincott 1927 dust-wrapper

Clay's second novel, By Night (Edinburgh: William Blackwood & Sons, [March] 1927; Philadelphia: J.B. Lippincott, [August] 1927), is sometimes describes as a horror thriller, but it is not supernatural. Here Neil Gascoigne inherits from his uncle the home where he grew up. His ownership is complicated in that he is forced to keep employing the mysterious Japanese gardener Kito, and he must keep residence for a fixed period.  The latter isn't a problem, for renting a house on the estate is the family he was close with as a youth.  It includes sensible Jean Raeburn, who provides the love interest of the story. But there are hints of a haunting, and a motorcylist is found dead, possibly murdered, and soon afterwards a tramp is definitely murdered. Some guests see a horrific monster and are convinced of its supernatural nature.  The story plods on—it is only moderately engaging—until in a fell swoop the solution is revealed. The mad uncle had faked his death and made (literally) a horrific black rubber suit for no other purpose than to randomly kill and terrorize. Thus the denouement is preposterously silly and unsatisfying. Yet the book is collectible for its very attractive dust-wrapper illustration.

Clay's third and final novel, Carmen Sheila, came out from the same publishers in the UK (October 1928) and the US (January 1929). It is set in a small South American republic where Carmen Shiela, along with some close friends, have gone to search for her beloved brother.

Friday, August 23, 2019

Donald Armour

Donald Armour (b. London, 23 May 1908; d. Hindhead, Surrey, 2 July 1988)

Donald Armour was the son of Donald John Armour (1869-1933), an eminent Canadian-born brain surgeon, educated in Toronto (M.B. 1891) and at the University of London (M.B. 1894; L.R.C.P 1896; M.R.C.P. and M.R.C.S. 1897), where he also taught for a time, and his wife [Marie] Louise Clark Mitchel (1873-1954), who were married in Cobourg, Ontario, on 2 October 1901.  Donald had two older sisters. Armour and his family were Catholics.

Donald was educated at Ladycross Preparatory School, Seaford, and the Downside School, Somerset. He matriculated at Pembroke College, Cambridge, in October 1926 (B.A. December 1929). He married Mary Consuelo Hutton (1908-2007) in Marylebone, London, on 17 November 1932. They had one son and one daughter.
Armour worked as an advertising copywriter in London through the 1930s, served in the Royal Corps of Signals from 1939-1945, and managed an advertising agency in Cape Town, South Africa, from 1947 through 1959.  From 1960 through 1972, he worked in Alicante, Spain, returning to England and settling in Devonshire from 1972 to 1986, before moving at last to Hindhead, Surrey, two years before his death.

Armour published two novels, the first short and the second much longer. The first, Swept and Garnished (London: Laidlaw Books, [October] 1938), came from a very short-lived publishing firm, who had also planned to publish in 1939 Armour's second novel, So Fast He Ran (London: Chapman and Hall, [May] 1940), but went out of business before doing so, and the book was passed on to another publisher. Both novels are fantastical in nature.

Swept and Garnished has been championed as a lost masterpiece, but that somewhat overstates its value. The simple plot successfully circumscribes the happenings between two clergyman rivals in a small town in the West Country, one a more modern Anglican vicar, the other a more traditional Catholic priest. The devil finds an inroad via the vicar and his family, and it is the Catholic priest who realizes that something truly evil is happening and must work to thwart it.

So Fast He Ran is a considerably more ambitious work. It is a time-slip novel, in which a man in the present escapes danger by successive transportations into similarly fraught situations in the past, first to the time of King Arthur, then to the time of Boudicca, and still further back to a Neolithic time.

These two novels are apparently Armour's only published fiction. It is a pity that Armour turned away from literature.