Sheila Hodgson (b.
Beckenham, Kent, 22 December 1921; d. South Newton, Wiltshire, 25 December
2001)
Ruth Sheila Hodgson was the only child of John Stuart
Hodgson (1877-1950) and Emily Storr Best (1875-1965), who were married in
Bromley, Kent, in the spring of 1915.
Her father was known as Stuart Hodgson, a journalist and author, most-known
as the last editor, from 1921-31, of the left-wing newspaper the Daily News. He wrote a number of books, including The Liberal Policy for Industry (1928); Portraits and Reflections (1929); and The Man Who Made Peace: The Story of Neville
Chamberlain (1938).
Sheila (who like her father was known familiarly by her
middle name) was educated at Broadstairs, the Brighton and Hove High School,
and the Michel Saint-Denis Stage School. During World War II she acted in
repertory companies, and began to write plays. She worked for the BBC as a scriptwriter for about six years in the
1950s, later moving on to ATV. Her serialized thriller
for children, Stranger on the Shore
(1961), was well-received and is remembered for its theme music for clarinet by Acker Bilk. Additionally,
she edited and introduced a volume Love
Story: Based on ATV’s Top Play Series (1968), and a few of her plays
appeared as booklets, Alarm Call (1976)
and Tunnel Vision (1995).
Hodgson was a prolific writer of radio dramas for over four
decades. Her first radio play was “Night without Sleep”, broadcast in the “Saturday
Night Theatre” on 6 June 1959. In the 1970s she was working freelance out of
Brighton. She sometimes adapted stories by other writers, including five by
Algernon Blackwood, four of these utilizing Blackwood’s psychic detective John
Silence, all first broadcast on BBC Radio 4. These include “The Camp of the Dog”
(broadcast 28 August 1974); “The Nemesis of Fire” (18 December 1974); “Secret
Worship” (19 March 1975); and “The Empty Sleeve” (2 October 1975). The fifth Blackwood adaptation was “The Human
Chord” (10 December 1985). She was also known for her own thrillers, including
her first full-length play, “The Long Drive Home” (1967), and “Inter City
Incident” (1975), “This Line is Now Closed” (1978), and “Sea Fever” (1989).
After adapting Blackwood’s John Silence stories in 1974-75,
she took M.R. James’s “Stories I Have Tried to Write” as a springboard for further
radio dramas. Eight radio scripts were done in all (the first three utilizing
James’s discarded plots): “A Whisper in the Ear” (broadcast 7 October 1976); ‘Turn,
Turn, Turn” (3 March 1977); “The Backward Glance” (22 September 1977); “Here I
Am; Where Are You?” (29 December 1977); “Echoes from the Abbey” (21 November
1984); “The Lodestone” (19 April 1989); “The Boat Hook” (15 April 1992); and “The
Fellow Travellers (20 February 1994). Afterwards Hodgson turned the scripts
into short stories. Two were published in Blackwood’s
Magazine: “The Turning Point” (March 1978, retitled from the radio script “Turn,
Turn, Turn”) and “The Villa Martine” (July 1978, retitled from the radio script
“A Whisper in the Ear”). These were
followed by an essay on “The Ghost of M.R. James” (June 1979). After Blackwood’s Magazine ceased, Hodgson
found a ready market for her ghostly tales in the small press magazine, Ghosts and Scholars, edited by Rosemary
Pardoe. Four further stories appeared
there: “Come, Follow” (no. 4, 1982); “Echoes from the Abbey” (no. 9, 1987); “The
Lodestone” (no. 13, 1991), and “The Boat Hook” (no. 19, 1995).
Hodgson’s twelve ghost stories (eight of which were based on
her radio plays) were collected in The
Fellow Travellers and Other Ghost Stories (Ashcroft, British Columbia:
Ash-Tree Press, 1998), with a new introduction by the author but oddly not
including Hodgson’s essay on “The Ghost of M.R. James”. (One further
uncollected story is known, “Slip Stream”, which appeared in the June 1972
issue of London Mystery Selection,
presumably excluded from the collection because it is not a ghost story.)
In early 1970 (not 1971 as is sometimes reported), Hodgson
had married David Roderick Middleton (1923-2003), a travel journalist, in
Hampstead in Greater London. Eventually
they settled in Wiltshire, about three miles from Stonehenge. They had no
children, and in their last few years they were institutionalized and unable to
care for themselves. Sheila had a stroke about six weeks before she passed away
on Christmas Day 2001, three days after her eightieth birthday. Her husband
passed away nine months later.
Update 11/30/19: A correspondent has told me that Hodgson acted in a Christmas day 1951 broadcast of a one-hour BBC live studio presentation of The Princess and the Swineherd, a dramatization by Nicholas Stuart Gray of the story by Hans Christian Andersen. Sadly no copies of it seem to survive.
While the beautiful Ash Tree Hodgson limited hardcover volume is long op and pricey, they re-released the collection as an ebook in 2012.
ReplyDeleteA very interesting and informative essay. Many thanks.
ReplyDeleteStranger on the Shore and it sequel Stranger in the City were both BBC productions.
ReplyDeleteWould like to do an essay on Sheila Hodgson for a German Horror-Zine. Can you tell me where you got your portrait picture of her?
ReplyDeleteIt's from the dust-wrapper of her collection The Fellow Travellers. I got the best scan I could of it, but it's smallish in size and rather faintly printed.
DeleteThank you for this.
ReplyDeleteI heard her radio play of The Backwards Glance on Radio 4 Extra, and wanted to know more about her.
Just caught up with this ten years late. Thank you for giving this fine writer her due. She wrote three stage plays that I know of: the gates of brass (Apollo l950), My friend the enemy (Boltons l951), the Level crossing (Windsor 1962). Those radio thrillers are firstrate: Inter City Incident especially. Sea Fever is brilliant. Well done. She deserves to be feted but it doesn't work like that for so many.
ReplyDeleteThanks for writing. This post on Sheila Hodgson has one of the highest number of views of all the authors I've covered over the years. There seems a continued interest in her works, and little else out there about it.
ReplyDeleteShe novelised Stranger on the Shore - Icon Books, 1963
ReplyDeleteI can't find any corroboration of such an edition in all the usual bibliographical sources.
ReplyDelete