Henry Iliowizi
(b. Choinick, near Minsk, Russia, 2 January 1850; d. Edmonton,
Middlesex, England, April 1911)
Henry Iliowizi was born in a Hasidic community in southern
Russia, the son of Elijah and Dinah Iliowizi. When he was fourteen, he was sent
to Romania in order to escape military conscription. He studied in Frankfort-on-the-Main,
Berlin, Breslau, London and Paris, and from 1877 to 1880 taught at the Alliance
School in Tetouan, Morocco. Having become a Rabbi, he immigrated to the United
States in July 1880, ministering for a brief time a congregation in
Harrisonburg, Virginia, before settling in Minneapolis, where he was Rabbi of
the Congregation of Sha’arĂ© Tob. Around 1881 he married Mathilde Flesch
(1858-1917), who was born in Bavaria and who had come to the U.S. in 1871. The couple had no children. They lived in Minneapolis until 1888, when Henry
became Rabbi of the Congregations Adath Jeshurun in Philadelphia, a position
which he held until 1900, after which time he devoted himself exclusively to
literature. Around 1910, the Iliowizis moved to England, where Henry soon died
at the age of 61. Mathilde, who still
retained U.S. Citizenship, died of cancer in Munich, aged 59.
In addition to his religious work, Iliowizi clearly had high
literary ambitions. His first book was Sol: An Epic Poem (1883), followed soon
after by Herod: A Tragedy (1884), a
drama in five acts. Other epic poems and
dramas include Joseph: A Dramatic
Representation in Seven Tableau (1885), The
Quest of Columbus: A Memorial Poem in Twelve Books (1892), Saul: A Tragedy in Five Acts (1894), and
the book-length poem, Revelation: Worlds
Mystic and Realistic (1910). He published one memoir, Through Morocco to Minnesota: Sketches of Life in Three Continents
(1888), and one novel, The Archierey of
Samara: A Semi-Historic Romance of Russian Life (1903), as well as some
religious writings, including Jewish
Dreams and Realities: Contrasted with Islamitic and Christian Claims
(1890).
Iliowizi also published two collections of stories, both of
which, to varying degrees, have some relevance to fantasy literature. The first, In the Pale: Stories and Legends of the Russian Jews (Philadelphia:
Jewish Publication Society of America, 1897), contains seven stories. In a
brief statement published in Book News
(Philadelphia),
July 1897, Iliowizi wrote “The purpose of my writing In the Pale was to familiarize the English-speaking public with the
legendary, romantic and spiritual aspects of life in Russian Jewry; also to
convey an idea of the folklore current among the oppressed millions of Jews in
the Czar’s domains. Another work in preparation is intended to complete the
picture of reality and dream-life in those regions of semi-barbarism and
intolerance.” (The work referred to in the final sentence is probably the
novel, The Archierey of Samara.)
Iliowizi’s second collection of stories is the more
pertinent, The Weird Orient: Nine Mystic
Tales (Philadelphia: Henry T. Coates and Co., 1900). These legends were gathered from Arabic and
Persian sources while Iliowizi was teaching in Morocco. The first story, “The Doom of Al Zameri”,
tells of the ancient Wandering Jew. In
another, “The Gods in Exile”, a character has a vision of the gods of Asgard
encountering the Olympians. In “The
Mystery of the Damnavant”, Firdusi ascends Persia’s most graceful mountain and
has a mystical vision caused by the smoke of a mysterious herb. The tales are
redolent in some ways of The Arabian
Nights, but with added spiritual dimensions. The Weird Orient has four inserted illustrations by William Sherman
Potts.
Iliowizi published many articles in The Jewish Messenger and in The
Jewish Exponent. One uncollected
story, “Hamza’s Tale: A Folk-lore Tale of Islam”, appeared in Harper’s Monthly Magazine for May
1901.
That is very helpful. I bought a copy of IN THE PALE (Philadelphia 1897) an couldn't figure out what the book how to take the book. Who was the author? Was he a figure who actually had authentic knowledge of the Pale and Russian Jewish life. So the bio above is very helpful.. SK
ReplyDeleteGlad to put a context around his work.
DeleteThanks. Helps explain my copy of his “Sol.”
ReplyDelete